David Robinson-Smith discusses the considered active cinematography employed in his haunting short where an unreliable narrator recounts a violent assault.
Luke Brookner delves into using 16mm & 35mm to represent the dual timelines of his film depicting the struggle of leaving behind an upbringing in foster care.
Liliya Syvytska unpacks how her team achieved the astonishing black and white cinematography and striking symbolic choreography of her movement-based short.
Victoria Singh-Thompson talks about crafting a fragmented editing style to convey the dissociative turmoil churning in her traumatised protagonist's brain.
Tal Kantor breaks down the brushstroke-infused monochrome aesthetic of her haunting short about identity, collective trauma and the extremes of human nature.
April Moreau discusses depicting the emotional disorientation of her protagonist's recent trauma under the bright harsh stage lights of a stand-up show.
The last film of his 5-cycle For Every Dream project, 'Exit 12' sees director Mohammad Gorjestani capturing the disorientation of war in beautiful detail.
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