Director Uzo Oleh & producer Yaw Basoah discuss the impact of subtext in their emotionally charged short made as Channel 4's first digital original drama.
Daisy-May Hudson opens up about turning pain into power in her feature where a young woman struggles against a broken system to regain custody of her kids.
Nat Gee details shooting on 16mm & cutting 4 minutes from her edit to help audiences deeply connect with her maverick winemaker's psychological fragmentation.
Ada Player & Bron Waugh explain how they adapted their stage monologue for film, found London's loneliest brutalist locations and crafted a loveable doormat.
Jeroen Kooistra recounts how a shared creative itch evolved into his stark short film exploring how our need for belonging can be manipulated to serve others.
Jordon Scott Kennedy shares his frustration with typical social realist films and his desire to tell joyful working class stories which embrace a child's POV.
Brent Michal gets down to it about his latest short, an intimate and pretty gnarly take on modern love between two unpredictable and semi-questionable lovers.
Eva Blackwell-Rogelj unpacks how she dove deep into the opaquely murky waters of female sexuality vs male objectification in her troublingly familiar short.
Drawn to the faded heyday glamour of Blackpool, Olivier Richomme explains how he transformed seaside banality into a surrealist meditation on monstrosity.
Julia Godfrey & Will Abbott talk about creating a disorientatingly cohesive world where two friends manically unravel in the 24 hours after a hit and run.
Subscribe to our weekly newsletter and never miss the latest independent film news
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.