Robin Summons details the in-depth domestic abuse research and technical camera work which empathically frame's the victim's perspective in 'Occupation'.
Stanley Xu discusses using metafiction to play with genre and representation in his portrayal of the different ways we can remember past relationships.
Zhenia Kazankina explains how deadpan framing and cast relationships formed in rehearsals allowed for an oddball take on the coming-of-age genre in 'Rio'.
We talk to Eli Powers about using intimate handheld frames, moody guitar licks & layered performances to create an affecting portrait of grief in 'Fish'.
We talk to Denzel Whitaker about delving into the power of modern celebrity in our culture and the complexities of race in America in short film '5150'.
Bradley Tangonan explains how he intertwined the stories of past and present to create a contemporary myth for his Hawaiian drama 'River of Small Gods'.
Rodrigo Inada and NONO discuss the aesthetic lure of shooting on location in Ukraine for 16mm short 'Terra Cene', a film about (how to stop) a countdown.
Folkert Verdoorn breaks down the rhythmic editing structure he utilised to convey a popstar's bizarre pre-show ritual process for comedy 'The Performer'.
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