Marta Gonzales tells DN how she used colour to construct distinct past/present visuals & took on multiple roles for her debut romance Spanish short 'Mai'.
Ben Kitnick reveals how improvisation was a key ingredient of his quirky comedy about a Y2K doomsday cult's mass suicide plans gone awry 'Exit Statement'.
Eryk Rocha tells DN how the themes of isolation & economic struggle in his story of a Rio cab driver, 'Burning Night' mirror the current crisis in Brazil.
Michael Gupta explains why he was excited to meet the challenge of conveying the fraught emotions of a young Muslim woman in a single moment in 'Flower'.
Lance Edmands explains how he used one-shot filmmaking to root audiences inside a couple's battle between fear & empathy in car bound thriller 'Whiteout'.
Daniel Marini shares how he created a powerful through the looking-glass reveal without the use of VFX for his unflinching EVAW single-shot campaign film.
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