We speak to Alison James about the challenges of taking a camel's perspective for her remarkable scripted, no-dialogue, live action short 'Judas Collar'.
Hari Sama talks to DN about heading back to the post-punk days of sexual liberty, outsider art and drugs which helped shape him in 'This Is Not Berlin'.
Myriam Raja discusses her time at the NFTS, doubling rural Spain for 1800s India & utilising the power of silence in her coming of age grad short 'Azaar'.
A mother & daughter attempt to reconnect after dealing with the death of a beloved family member in Kana Hatakeyama’s quietly observed short Okaasan (Mom)
DN chats with James Chappell to discover how Venezuela's Piranha hair attacks and Berlin’s techno style helped inspire horror short 'Proceeds of Crime'.
Writer/director Summer Agnew reveals why he embraced an anti-narrative structure for his bristling thriller about buried anger & resentment 'The Brother'.
Lena Tsodykovskaya takes DN behind the scenes of 'Luisa and Anna's First Fight', a celebration of the "stupidity of youth & rock solid girl friendships".
We speak to NFTS graduate Haolu Wang about anchoring magical realism with a grounded psychological journey of trauma and loss in 'The Pregnant Ground'.
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