Lily Rutterford & Lucy Minderides recount how they built a bathroom world populated by towel puppets to explore a woman's chaotic mid-date inner monologue.
Denying any relief, Firas Itani uses framing, contrasting colour & relentless routine to depict skewed power dynamics in his portrait of everyday servitude.
Amandine Thomas & Gerardo Coello Escalante explain why they broke the fourth wall to implicate viewers in the uncomfortable economic realities of mass tourism.
We learn why Lope Serrano used a printed waveform as a structural guide to make creative paralysis tangible in his celebrated Spanish film industry showcase.
Using wide lenses and a meticulous B&W palette, director Amir Youssef locks us at eye-level with an eight-year-old boy grappling with a world coming apart.
Katie Lambert take us all back to school and maps out the disco choreography and swimming pool shooting of her effervescent coming of age comedy short.
DN alum Harry Lighton discusses crafting a visual language that finds the tenderness within the transgressive intimacy of his tender tale of queer first love.
Gus Flind-Henry and George Malcher share how small moments, big pressures and authenticity shaped their portrait of teaching in a South London state school.
Cal McMau reveals how he embraced tight confines when choreographing the violence in his BIFA-nominated debut feature portrait of a merciless prison ecosystem.
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