Isabella Eklöf talks to DN about her TV adaptation of Nick Cave's novel, starring Matt Smith as a sex addicted salesman in what may be his best performance
Akinola Davies Jr. discusses the making of his semi-autobiographical feature 'My Father's Shadow', a debut leading this year's BIFAs with 12 nominations.
Laura Carreira explains why removing antagonists sharpened her film's critique of the gig economy and its deleterious effect on he isolated Portuguese migrant.
Mac Nixon discusses building a timeless and stark world in his monochrome horror, where a lone farmer becomes the target of his neighbours' panicked fear.
Geoff Barrow & John Minton champion the beyond your comfort zone filmmaking philosophy which saw them shoot their lead actor suspended upside down in a car.
Born from a list of puns, Jack Turits charts how he wove a trio of archetypal stories into a cohesive whole for his absurd wordplay-led situational short.
Pardeep Sahota dissects his decision to shoot his class-conscious exploration of a woman's near future tumultuous love life in a single locked-off shot.
Zain Duraie describes building unbearable tension by stretching a mother's denial to its breaking point in her drama about a son's fractured mental health.
Jamie McCormack tells us how he transformed a dormant, personal script about loss into a structurally complete saga by adding a sinister, unseen genre element.
Forcing audiences to confront complicity, Ellen Rodnianski explains how the moral inaction in her short mirrors societal apathy towards large scale violence.
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