Using wide lenses and a meticulous B&W palette, director Amir Youssef locks us at eye-level with an eight-year-old boy grappling with a world coming apart.
Katie Lambert take us all back to school and maps out the disco choreography and swimming pool shooting of her effervescent coming of age comedy short.
DN alum Harry Lighton discusses crafting a visual language that finds the tenderness within the transgressive intimacy of his tender tale of queer first love.
Gus Flind-Henry and George Malcher share how small moments, big pressures and authenticity shaped their portrait of teaching in a South London state school.
Cal McMau reveals how he embraced tight confines when choreographing the violence in his BIFA-nominated debut feature portrait of a merciless prison ecosystem.
Isabella Eklöf talks to DN about her TV adaptation of Nick Cave's novel, starring Matt Smith as a sex addicted salesman in what may be his best performance
Akinola Davies Jr. discusses the making of his semi-autobiographical feature 'My Father's Shadow', a debut leading this year's BIFAs with 12 nominations.
Laura Carreira explains why removing antagonists sharpened her film's critique of the gig economy and its deleterious effect on he isolated Portuguese migrant.
Mac Nixon discusses building a timeless and stark world in his monochrome horror, where a lone farmer becomes the target of his neighbours' panicked fear.
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