Writer/director Summer Agnew reveals why he embraced an anti-narrative structure for his bristling thriller about buried anger & resentment 'The Brother'.
Writer/Director Amartei Armar tells DN why he wants to reframe audience responses to African narratives with his Ghanaian coming of age drama 'Vagabonds'.
Mikkel Blaabjerg Poulsen tells DN how he collaborated with Mino Denmark to raise awareness of Denmark's ethnic migrants in period drama 'Part of Society'.
Tom Streller discusses the struggles of confidence and production which almost prevented his meditative debut short 'Rosa' from seeing the light of day.
We speak to Dee Meaden about the dramatic importance of the small moment coupled with an unhurried editing style in short 'Some Things Mean Something'.
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