David Findlay discusses the melding of music and sound design integral to his fast paced descent into the surreality of a woman's frantic subconscious.
Alejandro Gerber Bicecci reveals the genesis of his labyrinthine drama about a subway driver met by violent indifference in her search for her missing husband.
Lovell Holder opens up on why moving to a non-linear structure during post yielded a more compelling version of his queer drama about a young man on the brink.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
From careful zooms to POV shots, Max Novick discusses enveloping the audience in his dramedy about pregnancy sparked jealousy within a Brooklyn throuple.
Hazel McKibbin talks about building an intricate dance of dominance, deference and self-diminishment between lovers and family in her charged drama short.
Jens Schillmöller discusses subverting audience expectations and maintaining intrigue in his short about a man attempting to bridge the generational divide.
Matt Porter breaks down the origins of his viral culture comedy and shares how they constructed a paranoid visual tone to match their character's predicament.
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