We talk to director Devon Mussett about capturing a devastating round of sad girl karaoke in a single shot for Jillian Lake's break up anthem 'Oliver'.
Meredith Hama-Brown reveals the pivotal role light played in conveying the shifting tones of her surreal journey to the afterlife in 'And, We Disappear'.
Ross Allen shares how he subverted audience expectations in his exploration of the paradox of loving eternally whilst fearing the end 'The Limit of Love'.
Balancing on the precipice of this world and the next, directing duo rubberband. guide MorMor through the realisation of his demise in 'Some Place Else'.
Fatty Soprano & Shutterr introduce us to Marcus, a man whose discovery of Krump helped save him from the dark grip of depression in doc 'Krump Antidote'.
DN speaks to Montreal director Emmanuel Tenebaum about the advantages of making his uncomfortable office drama 'Two Dollars' under strict time pressures.
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