Mosaic editing and a rich sonic world coalesce in Chanelle Eidenbenz's auto-fictional short where a fractured family orbits each other without quite landing.
Vida Skerk's second consecutive La Cinef Cannes selected short binds a closing British steelworks and the immigrant overseeing it into one haunted reckoning.
Fanny Capu on engineering a dancing puppet for her grad NFTS Cannes premiering short that asks what each generation is owed and what heritage it can discard.
Eschewing traditional car shots, Liz Rao reveals how she mirrored the restrictions of regressive laws by trapping her characters in a tense confined space.
The second documentary nominated for Best British Short, Huija Park separates filmmaker from self in an intimate return home after four years of silence.
Victor Nauwynck discusses how pivoting from a planned, restrained visual style to reactive handheld cinematography unlocked his film's animalistic crescendo.
Finegan Sampson shares how a fascination with the transformation of trauma into performance coalesced into his drama about an actor's need to embrace grief.
Gregory Shell explains why he was determined to work with non-actors for his film about a young man struggling with life after returning from military service.
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