Director Peter Edlund shares how he used Erik Blood's ‘Chase the Clouds’ as the musical and emotional foundation for his powerful tale of repression and
We talk to Desiree Akhavan about her theatre roots, embracing her true comedic voice as a director and how post-production persistence eventually won out in
Daniel Ribeiro’s debut feature 'The Way He Looks' tenderly explores the awakening sexuality of a blind teenage as he discovers first love. DN speaks to
Jonathan Harris' 'I Love Your Work' sees the digital artist create an interactive documentary which profiles the lives of 9 women who make lesbian porn.
Leaving Sundance as one of the most talked of movies in the festival and winning the best feature film award at the Berlin International Film Festival, The
Undertow is very much one of those unusual film beasts, a story which sounds daft on paper but which works well on screen: in a tiny Peruvian fishing village,
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