Marco Santi tells DN how he smoothly juxtaposed the grimy environment of a working kitchen with the sensuality of dance in his Nother music video.
Live Action, Premiere
Nathan Engelhardt talks us through using montage, whimsical voiceover and nostalgic 35mm film to create a fresh, unsentimental romance.
Will Wightman speaks about his desire to convey the rollercoaster of romantic turmoil that comes with being a 21-year-old in his musical dating comedy.
Reinis Spaile talks about his affinity for using film to capture the contrast between a bright young couple and their degrading love.
Thessa Meijer describes how she prioritised practical effects over CGI to create the drippy melting effect for her genre-bending short film.
Sami Schinaia deconstructs the potent cinematic flourishes of his debut solo short 'Nope!', a contemporary story of online dating and psychedelic drugs.
Enea Colombi shares how he used non-actors and stunning vistas for his enigmatic music video about escaping the trap of destiny.
Tsubasa Matsumoto explains how he composited the lofty ideas of his expansive drama 'Prelude' specifically for the big screen experience.
Zoé Wittock provides an insight into the production practicalities of choreographing the many moving parts of her objectophilia romance feature 'Jumbo'.
Àngel Pastrana walks DN through the inspiration and preplanning behind his enigmatic temporally staggered Lezón & Limousin music video 'Ana y el Drago'.
Justin Doherty & Neil Fox speak to DN about allying professional and emerging filmmakers on the production of their cinematically defiant feature debut.
Daria Geller outlines how she paid respect to Chekhov's original text in 'Him & Her', a captivating exploration of the toxic depths of romantic love.
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