Julian Ross is rubbish at explaining what he does or who he is. All he knows is that he is obsessed with film and music and that is what his life tends to revolve around.
The surprise winner of the Palme d’Or earlier this year at Cannes Film Festival, Uncle Boonmee Who Can Recall His Past Lives constitutes the final part of a
Taiwanese director Tsai Ming-Liang is one of the key personalities of the international new wave of slow-cinema and a figure that has continuously strived to
A few weeks ago a review of Ruhr by James Benning was submitted as part of the coverage of the 54th London Film Festival, where I proposed Benning’s work as
Set only a few weeks into the wake of the fall of Saddam Hussein’s regime, Son of Babylon, winner of the Amnesty Film Award and Peace Prize at the 60th
Although it would be a stretch to denounce To Walk Beside You as a mistranslation of the original Japanese title, a direct translation would offer slightly
Cherry Kino, who programmed Mare’s Tail, is the experimental film strand of the Leeds International Film Festival, though its founder Martha Jurksaitis
Those familiar with James Benning’s name would have known what to expect with his new film Ruhr; slow-cinema taken to its extreme ends. Benning’s work has
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