'Summer Fridays' actor/director Chloe Berk discusses the need for filmic representation of taboo topics and her passion for telling female-centred stories.
Henry Blake on bringing audiences face to face with the horrific exploitation of vulnerable children by UK drug gangs in forthright feature 'County Lines'
Layering films within films and with actors playing actors, 'Getting There' — shot in an empty parking lot — is a delightfully comic metafictional film.
Dane McCusker talks getting up close and uncomfortably personal in 'The Complex' as a young woman wrestles with the unwanted advances of her new neighbour
Created entirely with miniatures, James Coyle's 'Confession' is a noirish micro-thriller about a murderer's declaration in a small-town police station.
A beautifully shot collection of seaside monologues, Yvette Farmer's 'X Anniversary' boasts four very different captivating performances by Keeley Forsyth.
Inspired by the Indonesian comic book, Michael Kam's 'Melodi' elegantly tells the story of a young boy trying in vain to do the right thing for his crush.
Frank Todaro discusses going back to the past to take a swipe at modern blowhards peddling bullshit as science in his dry period comedy 'Men of Vision'.
Andree Ljutica delineates the loose rehearsal process and musical shooting rhythm of his sixteen minute one-take drama 'How To Say I Love You At Night'.
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