"I keep putting enormous voids into things I make." Peter Collins Campbell talks to DN about his decidedly strange coming of age short 'Summer Vacation'.
A man becomes consumed by the fear he may have done something terrible on a night out in Dee Meaden's disquieting study of consent, guilt and masculinity.
Andy McCallie tells DN how he used the restrictions of one-shot filmmaking to manifest the power of Chris Robertson's profound ‘Freedom Song' monologue.
Directors Notes goes behind the scenes of Pokaz Trio dance film 'Kintsugi' to learn how this captivating ode to the power of destruction came into being.
Director Griffin Stoddard joins DN to discuss the director's cut of his mournful music video for singer-songwriter Morgan Saint's 'God Bless Our Souls'.
Kaayla Whachell & Brock Newman explain why they chose to create a feminist film that was a true collaboration between women & men in 'Single Persephone'.
DN talks to Vincent René-Lortie about collaborating with Trip The Light Fantastic for temporal nightmare dance film 'The Man Who Traveled Nowhere in Time'
DN kicks off a monthly showcase of Dee Meaden's work with 'Good News', the story of a religious community disrupted by the arrival of a contrary newcomer.
Tanmay Chowdhary discusses the unconventional approach of hybrid narrative-doc 'Color of November', a portrait of the relationship between two young women
Skyler Fulton tells DN how he traced the significant moments of his father’s life as witnessed by his trusty timepiece for Casio spec ad 'A Good Watch'.
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