Drawing on her childhood, Susan Wokoma writes, directs and stars as a teacher torn between instinct and complicity in a staffroom deciding a girl’s fate.
Ten years ago, Sam Baron asked loved ones to predict 2026. Now he confronts the messy, unscripted grief for his late mum hidden in the footage all along.
Daniel Chisholm distils the disorientating, woozy sensation of being smashed into a comic odyssey that lets audiences experience the drunkest night ever.
Lola-Rose Maxwell outlines how she stepped behind the camera, engineered a creepy puppet antagonist & blended comedy with atmospheric horror for her debut.
Three Self shooting directors, $6.5k and six days of unpredictable Icelandic weather. Caution Media on why scale is a question of ambition rather than budget.
Eschewing restaurant chaos for stillness, Anna Hopkins’ short film finds drama in small gestures, shared meals and intimate conversations after closing.
Grace Anna Cardona's portrait of artist Emma Addams, Heart of Bone's macabre jeweller and accommodator of no one, gives the rest of us permission to let rip.
Rachel McDonald orchestrates a transfeminist manifesto from Mexico City into a striking wordless dance short rooted in radical vulnerability and resistance.
Eoin Duffy returns to Directors Notes to discuss meeting the animated challenge of documenting the most prolific goal scorer in international soccer history.
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