Shot with friends in Kananaskis wilderness dressed in scavenged junk, Cameron Macgowan's charming wordless short grew through years of unhurried collaboration.
Neil Fox catches up with Mark Jenkin to explore how his shorts have become laboratories for the cinematic language defining his new feature 'Rose of Nevada'.
Oscar Garth walks us through using dialogue-free performances, hand built robot bins and retro-futurist whimsy as a Trojan horse for something much darker.
Sharif Abd el Mawla steers us through the "clunky, imperfect, but genuine" movement language used to transform actor Sam Spruell into an otherworldly antihero.
Oscar-winning writer/directors Natalie Musteata & Alexandre Singh on building a Swiss-watch satire where a slap is currency and a kiss is a capital offence.
Ben Wheatley chats about embracing the joys of DIY aesthetics in his low-budget mind-bending multiverse thriller, where film form echoes narrative function.
Pardeep Sahota dissects his decision to shoot his class-conscious exploration of a woman's near future tumultuous love life in a single locked-off shot.
Discover how Matthew Rollins harnessed a kinetic, handheld visual style to place us directly inside a jaded DJ's chemically-assisted, disoriented headspace.
From sunny visuals to surreal decay, Danny Jelinek breaks down the dystopian world of his comedy about an AI-driven mobile app that commodifies conversations.
“I wanted to make a film as naive and honest as a child’s drawing.” Andzej Gavriss on stripping away cynicism to craft a refugee story replete with hope.
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