Joe Williams & Charlie Edwards-Moss discuss imbuing their 70s-influenced folk horror with a contemporary edge while shooting on 35mm to evoke the time period.
Peter Collins Campbell unpacks the wizardry behind the split-screen visuals of his short about a couple who can duplicate into new versions of themselves.
Rosanagh Griffiths speaks about the exhaustive depth of detail she undertook in the writing and layered sound design of her Film4 commissioned ADHD short.
Amanda Prager reveals how she translated her experience of being in a toxic relationship into a paranoid fantasy short about escaping a controlling partner.
Tomas Kamphuis recounts the physical and technical challenges of shooting in remote parts of Portugal for his ambitious sci-fi fashion crossover short.
Emily Halaka joins DN to discuss how she used animation to promote harmony between humanity and the Earth in her delightfully surreal ecological short.
Gabriel Caste tells DN about drawing viewers into his psychological thriller probing the dread of existence which can throw us into a depressive cycle.
Kevin Staake opens up about his synergistic process with actors during the performance capture stage of his Unreal Engine, flag or friend loyalty short.
Kyryl Volovych reveals the inspiration he drew from Stalker and The Seventh Seal when creating his ethereal, science fiction-inflected ĠENN music video.
Karl Poyzer explains how he embraced the freedom offered by animation and free application Blender for his cityscape-based science fiction music video.
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