Gabriel Caste tells DN about drawing viewers into his psychological thriller probing the dread of existence which can throw us into a depressive cycle.
Kevin Staake opens up about his synergistic process with actors during the performance capture stage of his Unreal Engine, flag or friend loyalty short.
Kyryl Volovych reveals the inspiration he drew from Stalker and The Seventh Seal when creating his ethereal, science fiction-inflected ĠENN music video.
Animation, Music, Premiere
Karl Poyzer explains how he embraced the freedom offered by animation and free application Blender for his cityscape-based science fiction music video.
Meredith Hama-Brown reveals how she and her team embraced light and lasers to create a visually distinctive UFO for her emotional healing music video.
Sascha Vernik breaks down the process of creating the stylised, vivid and pulpy visual aesthetic of his trippy, time-hopping animated short.
Alex Cook delineates the process of creating the VFX for the flowing, ghost-like liquid featured in his short film/music video hybrid for Son Lux.
Artist Lucy McRae reveals how she moulds her on-set adaptive and fluid creative approach into an enthralling sci-fi narrative during post-production.
Art & Fashion
Tom Wakeling reveals the in-camera lighting effects he utilised to achieve the illusive visuals of his experimental sci-fi short.
Ian Roderick Gray describes melding surrealistic visual effects with a humanistic story of love, respect and dignity in his short film/music video hybrid.
We speak to Sina Dolati about the lengthy learn on the job edit which transformed his innovative VR/360 music video into its slick accessible 2D version.
Zachary Rubin talks to us about using careful, retro framing, a claustrophobic atmosphere and a deadpan spirit to question the potential of future tech.
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