Max Clendaniel's improv comedy magnifies the fine line between an actor's vanity & their justifiable concerns about how a director depicts them onscreen.
Drawing on her childhood, Susan Wokoma writes, directs and stars as a teacher torn between instinct and complicity in a staffroom deciding a girl’s fate.
With only 4 days, expired 35mm stock and an apple harvest dictated schedule, Robert Piel learned to trust instinct over coverage for his coming of age drama.
Ten years ago, Sam Baron asked loved ones to predict 2026. Now he confronts the messy, unscripted grief for his late mum hidden in the footage all along.
How do you make audiences care about people who do terrible things? Sam Tricomo's dark pilot strips away backstory, letting silence and loneliness do the work.
Daniel Chisholm distils the disorientating, woozy sensation of being smashed into a comic odyssey that lets audiences experience the drunkest night ever.
How much can a relationship withstand when an outsider disrupts its delicate balance? Kiyan Ahmadi explores that tension in his cramped, darkly comic short.
Kate Renshaw-Lewis explores the hidden complexities of consumerism driven mass production in a surreal, tactile world of Rube Goldberg systems of production.
Lola-Rose Maxwell outlines how she stepped behind the camera, engineered a creepy puppet antagonist & blended comedy with atmospheric horror for her debut.
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