Saad Moosajee walks us through the complex technical skills he needed to master when creating the motion-captured animated Renaissance vignettes of '777'.
'Summer Fridays' actor/director Chloe Berk discusses the need for filmic representation of taboo topics and her passion for telling female-centred stories.
Layering films within films and with actors playing actors, 'Getting There' — shot in an empty parking lot — is a delightfully comic metafictional film.
Dane McCusker talks getting up close and uncomfortably personal in 'The Complex' as a young woman wrestles with the unwanted advances of her new neighbour
Created entirely with miniatures, James Coyle's 'Confession' is a noirish micro-thriller about a murderer's declaration in a small-town police station.
A beautifully shot collection of seaside monologues, Yvette Farmer's 'X Anniversary' boasts four very different captivating performances by Keeley Forsyth.
A fluffy giant helps chairs to find their right place in gorgeous animation 'Isle of Chair', inspired by Ivvy Chen's friends' battles with mental health.
Inspired by the Indonesian comic book, Michael Kam's 'Melodi' elegantly tells the story of a young boy trying in vain to do the right thing for his crush.
Frank Todaro discusses going back to the past to take a swipe at modern blowhards peddling bullshit as science in his dry period comedy 'Men of Vision'.
Andree Ljutica delineates the loose rehearsal process and musical shooting rhythm of his sixteen minute one-take drama 'How To Say I Love You At Night'.
Kevin Castanheira reveals how the mood of doc short 'Selling Death' changed drastically in the moment providing a fascinating film that upends expectations
Subscribe to our weekly newsletter and never miss the latest independent film news
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.