Oscar nominated director Florence Miailhe argues for the emotional superiority of hand-crafted art over AI while breaking down her tactile animation process.
Chris Lavis & Maciek Szczerbowski reflect on turning a wooden first cut into a fluid narrative by ripping apart the script of their Oscar animation in post.
Drawing on years of script supervision, Charlotte Serena Cooper masters the visual grammar of five distinct genres to subvert a tired cinematic cliché.
Victor Nauwynck discusses how pivoting from a planned, restrained visual style to reactive handheld cinematography unlocked his film's animalistic crescendo.
Kathryn Ferguson dissects the tonal shift in her Belfast-set drama debut where a faded 80s pop star's hope of reliving his glory days hits a chilling reality.
Using long, slow takes, Caleb J. Roberts details drawing us almost uncomfortably close into his tender and intimate relationship between on-off-again lovers.
Lily Rutterford & Lucy Minderides recount how they built a bathroom world populated by towel puppets to explore a woman's chaotic mid-date inner monologue.
Anna Fabricius details how she weaved documentary disclosures with choreographed movement to create her portraiture of the female body's unfolding over time.
Mac Nixon discusses building a timeless and stark world in his monochrome horror, where a lone farmer becomes the target of his neighbours' panicked fear.
Luís Hindman breaks down his maximalist approach of building three distinct spaces within a busy British Pakistani takeaway for his LFF premiering short.
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