Jordon Scott Kennedy shares his frustration with typical social realist films and his desire to tell joyful working class stories which embrace a child's POV.
Brent Michal gets down to it about his latest short, an intimate and pretty gnarly take on modern love between two unpredictable and semi-questionable lovers.
James Nicholas Green gives DN the low-down on his comedic take on England's 1980s class struggle which moves the political fight from the pits to the stage.
Eva Blackwell-Rogelj unpacks how she dove deep into the opaquely murky waters of female sexuality vs male objectification in her troublingly familiar short.
From NFTS first year film to Cannes red carpet: Vida Skerk reflects on embracing subtlety over spectacle for her history making La Cinef selected short film.
Drawn to the faded heyday glamour of Blackpool, Olivier Richomme explains how he transformed seaside banality into a surrealist meditation on monstrosity.
VERSUS breakdown the collaborations at the heart of their love letter reframing of Opera in Sydney's underground which pays homage to its iconic institution.
Alexander Jeremy trumpets the lofi manifesto which has enabled him to continually develop his filmmaking creativity free from gatekeeping financial barriers.
Julia Godfrey & Will Abbott talk about creating a disorientatingly cohesive world where two friends manically unravel in the 24 hours after a hit and run.
Dan Braga Ulvestad takes us inside the stripped-back approach, actor trust and delicate existential dialogue which were central to his grounded breakup short.
Louisa Connolly-Burnham discusses using long takes to place us in the visceral tension of her depiction of a woman's lack of consent being repeatedly ignored.
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