Gerardo Coello Escalante dissects how he confronted cultural malinchismo through his story of a sneaker revelation that unravels a Mexican boy's worldview.
Director Uzo Oleh & producer Yaw Basoah discuss the impact of subtext in their emotionally charged short made as Channel 4's first digital original drama.
Daisy-May Hudson opens up about turning pain into power in her feature where a young woman struggles against a broken system to regain custody of her kids.
Nat Gee details shooting on 16mm & cutting 4 minutes from her edit to help audiences deeply connect with her maverick winemaker's psychological fragmentation.
Ada Player & Bron Waugh explain how they adapted their stage monologue for film, found London's loneliest brutalist locations and crafted a loveable doormat.
Jeroen Kooistra recounts how a shared creative itch evolved into his stark short film exploring how our need for belonging can be manipulated to serve others.
Jordon Scott Kennedy shares his frustration with typical social realist films and his desire to tell joyful working class stories which embrace a child's POV.
Brent Michal gets down to it about his latest short, an intimate and pretty gnarly take on modern love between two unpredictable and semi-questionable lovers.
James Nicholas Green gives DN the low-down on his comedic take on England's 1980s class struggle which moves the political fight from the pits to the stage.
Eva Blackwell-Rogelj unpacks how she dove deep into the opaquely murky waters of female sexuality vs male objectification in her troublingly familiar short.
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