Alena Shevchenko explains why she wanted to explore female pleasure in her film about a woman banishing pre-date nerves with a spot of self-gratification.
Natalia López Gallardo reveals the intuitive layered approach to cinematic composition and structure she took for her Silver Bear-winning debut feature.
Emma Branderhorst talks to DN about capturing the intimate vulnerability of a young teen as she navigates the infuriating hurdles imposed by period poverty.
Harry Windsor discusses making the leap from film journalist to director with his nuanced drama about a young mother hitting the reset button on her life.
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