Koya Kamura reflects on his successful decision to make the leap from a decade in commercials into his narrative debut, a drama set in post-disaster Japan.
Fraser Scott describes how he worked with actor Michael Ahomka-Lindsay to create the tender central performance of his monologue drama short 'Fart Car'.
We talk to Eli Powers about using intimate handheld frames, moody guitar licks & layered performances to create an affecting portrait of grief in 'Fish'.
When the past merges with the present, two half brothers get a last chance to say goodbye in Jon Olav Stokke's fractious family drama 'Our Father's Cabin'.
Anna Fredrikke Bjerke talks to us about using the Nordic landscape as an expressive canvas for her intimate portrait of the grieving process in 'Outline'.
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