Nina Gantz takes DN inside the extraordinary craftsmanship of her stop motion short which offers a poignant exploration of loss for its diminutive stars.
Writer/Director Nicholas Payne Santos returns to DN and reveals why the visual effects had to be practical on his unnerving, grief-stricken horror short.
Michael Jobling speaks about purposely avoiding the typical approach to working class stories in his short showcasing a man’s gruelling emotional journey.
Pulkit Arora tells us how a mounted jib arm enabled the evocative cinematography in his close quarters short about a lonely widow isolated in her mourning.
Melina Valdez unpacks her process of weaving magical realism into a grounded narrative informed by personal experience to portray the tumult of teenage grief.
Greg Cruttwell explains how his disgust about the horrific violence of football hooliganism galvanised the creation of his blistering monologue revenge short.
Lasse Lyskjær Noer speaks to capturing the cathartic release of comedy even in the depths of despair for his short about two widowers struggling with grief.
Tracy Mathewson & Kate Winter reveal how set design expressed emotional claustrophobia as 3 sisters embark on a psychedelic trip during their mother's wake.
Tom Stuart details the awkward practicalities of shooting in the vintage VW van which sits at the heart of his touching surreal personification of grief.
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