Stripping back commentary and even dialogue, Joshua Seftel builds a documentary film about gun violence from silence and the objects children left behind.
The second documentary nominated for Best British Short, Huija Park separates filmmaker from self in an intimate return home after four years of silence.
Luke Angus reflects on staying motivated on his four-year solo animation and mimicking human camera errors to breathe life into his digital Arctic world.
Akinola Davies Jr. discusses the making of his semi-autobiographical feature 'My Father's Shadow', a debut leading this year's BIFAs with 12 nominations.
Jamie McCormack tells us how he transformed a dormant, personal script about loss into a structurally complete saga by adding a sinister, unseen genre element.
Imran Perretta details using black & white to recast Luton as a timeless landscape in his story of a friendship torn apart by a racially profiled police
Huse Monfaradi outlines the less-is-more 3:2 static framing amplifying an intense confrontation where a prisoner racked with guilt meets his victim's parents.
Finegan Sampson shares how a fascination with the transformation of trauma into performance coalesced into his drama about an actor's need to embrace grief.
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