EunJu Ara Choi talks to DN about finding a balanced visual language to illustrate the testimony of a Korean sex worker in animated short 'Happy Ending'.
Serafima Serafimova reveals how lockdown inspired her to fuse dance, animation and stylised design for a joyful celebration of movement and connection.
Randall Maxwell reveals how he discovered the unique world of forniphilia, the fetish of becoming a chair, for his relationship comedy 'Bad Furniture'.
Setting Rodrigo Molinero's poem to a series of bold images, Fede Canal Santiangeli discusses creating a reverie on outmoded masculinity in 'Absolution'.
Morgan Krantz discusses the high wire production behind steamy comedy ’Squeegee’, the risque tale of an erotic connection 100s of feet above the ground.
The lifetime of a relationship is distilled over the course of a hypnotic house-party in Ayla Spaans' experimental romantic drama 'When We Were Strangers'
Mark Barnett rose to talk show fame for obsessively drawing the blueprints of his favourite 50s shows. Matt Pizzano reveals the deeper story underneath.
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