Julian Muller strives to humanise homeless in 'Sickboy', a gritty drama about a New Yorker who survives the streets by going home with the women he dates.
Thessa Meijer discusses overcoming language barriers for her Japan-set short about an ambitious sea-creature who becomes a woman striving for perfection.
The last film of his 5-cycle For Every Dream project, 'Exit 12' sees director Mohammad Gorjestani capturing the disorientation of war in beautiful detail.
EunJu Ara Choi talks to DN about finding a balanced visual language to illustrate the testimony of a Korean sex worker in animated short 'Happy Ending'.
Serafima Serafimova reveals how lockdown inspired her to fuse dance, animation and stylised design for a joyful celebration of movement and connection.
Randall Maxwell reveals how he discovered the unique world of forniphilia, the fetish of becoming a chair, for his relationship comedy 'Bad Furniture'.
Setting Rodrigo Molinero's poem to a series of bold images, Fede Canal Santiangeli discusses creating a reverie on outmoded masculinity in 'Absolution'.
Morgan Krantz discusses the high wire production behind steamy comedy ’Squeegee’, the risque tale of an erotic connection 100s of feet above the ground.
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