Jon Olav Stokke talks about the benefits of having a wet draft script version of his satirical pistol duel between two women where miscommunication runs rife.
Griffin Wenzler explains the dynamic editing techniques he employed to energise the cinematic language of his single-location bickering brothers comedy short.
Paul Schneider shares how he adapted an inner dialog short story into a tense onscreen battle of wits between a desperate pair of unreliable adversaries.