Isabella Eklöf talks to DN about her TV adaptation of Nick Cave's novel, starring Matt Smith as a sex addicted salesman in what may be his best performance
Akinola Davies Jr. discusses the making of his semi-autobiographical feature 'My Father's Shadow', a debut leading this year's BIFAs with 12 nominations.
Laura Carreira explains why removing antagonists sharpened her film's critique of the gig economy and its deleterious effect on he isolated Portuguese migrant.
Mac Nixon discusses building a timeless and stark world in his monochrome horror, where a lone farmer becomes the target of his neighbours' panicked fear.
Pardeep Sahota dissects his decision to shoot his class-conscious exploration of a woman's near future tumultuous love life in a single locked-off shot.
Margo Mars introduces us to LIEF Entertainment Company, a studio launched with the express goal of auteur brands funding premium auteur driven entertainment.
Jamie McCormack tells us how he transformed a dormant, personal script about loss into a structurally complete saga by adding a sinister, unseen genre element.
We sit down with Shooting People co-founder Cath Le Couteur to discuss the legendary network's 27-year run, its DIY spirit, and what comes next for indie film.
Imran Perretta details using black & white to recast Luton as a timeless landscape in his story of a friendship torn apart by a racially profiled police
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