Drawing on years of script supervision, Charlotte Serena Cooper masters the visual grammar of five distinct genres to subvert a tired cinematic cliché.
Faced with the saturated festive ad space, François Larpin built a distinctive world, stripping Christmas to its essence for his branded seasonal triptych.
Victor Nauwynck discusses how pivoting from a planned, restrained visual style to reactive handheld cinematography unlocked his film's animalistic crescendo.
Thomas Laurance deconstructs the unequivocally independent process of his joyfully crude sub-£100 comedy short lampooning the toxic pressure to make good art.
Kathryn Ferguson dissects the tonal shift in her Belfast-set drama debut where a faded 80s pop star's hope of reliving his glory days hits a chilling reality.
Lily Rutterford & Lucy Minderides recount how they built a bathroom world populated by towel puppets to explore a woman's chaotic mid-date inner monologue.
Katie Lambert take us all back to school and maps out the disco choreography and swimming pool shooting of her effervescent coming of age comedy short.
Gus Flind-Henry and George Malcher share how small moments, big pressures and authenticity shaped their portrait of teaching in a South London state school.
Baz Sells, Dean Atta & Ben Jackson trace the five-year journey of bringing their animated short to life, a stop-motion tale of self-acceptance and queer love.
Cal McMau reveals how he embraced tight confines when choreographing the violence in his BIFA-nominated debut feature portrait of a merciless prison ecosystem.
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