Oliver Murray explains why it was important to be concise and economical with the storytelling in his doc about the creation of a legendary Beatles song.
Ben S. Hyland reveals how he used misdirection to great comic effect in his short about a bickering couple investigating a strange unidentifiable noise.
Tamsin Topolski details how she represented her protagonist's mental and physical demise through all aspects of her darkly comic satire's colour palette.
Director Max Lincoln talks about devising imaginative kills and being inspired by the ruthless nature of the creative industries for his bloody comedy-horror.
Theo W Scott talks to DN about his hope that its tale of "dumb characters butchering each other" throughout history will inspire questions of free will.
Elle McAlpine joins DN for an interview about her pioneering work in the field of intimacy coordination and its indispensable role in the film & TV industry.
Jon Olav Stokke talks about the benefits of having a wet draft script version of his satirical pistol duel between two women where miscommunication runs rife.
Tom Moran reveals how he adapted his mind-boggling metanarrative concept into a self-referential spiral of a film about a woman trapped in an infinite dream.
ShortsTV's BAFTA nominated Stéphanie Charmail shares her invaluable insights about production, the film festival circuit & short film distribution strategies.
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