Kristian Mercado Figueroa returns to DN for a chat about visualising Rachel Inez Marshall's poem in his exploration of womanhood across Latinx generations.
Andy McCallie tells DN how he used the restrictions of one-shot filmmaking to manifest the power of Chris Robertson's profound ‘Freedom Song' monologue.
Bill+Brown discuss collaborating with writer Anisa Nandaula on gut punch film 'The Year is 2020' which calls out Australia’s draconian refugee policies.
Directing duo Will & Carly tell DN why they felt compelled to address escalating knife crime by combining slam poetry & 16mm film in 'No More Knives LDN'.
Jane Morledge's 'Cell Watch Strip Cell' adapts Susannah Nevison’s poem into a powerful exploration of the debilitating effects of solitary confinement.
DN speaks to Amar Hernández about creating a literary journey of discovery revealing the beauty & diversity of Cape Verde in poetic 16mm short 'Morabeza'.
DN talks to Mohammed Hammad about his intimate look at a community of Native American organizers reclaiming land & culture in the face of police violence.
Spanish Director Adrián Suárez tells DN how he mined the sensorial aspects of Charles Bukowski's original verse for visual poem, 'Alone With Everybody'.
Matthew Lawes tells DN how he gathered an all star group of award winning collaborators for his enchanting short based on W. B. Yeats' well renowned poem.
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