DN talks to Sophie King about blending humour and social commentary in her subversive gender disparity comedy short about a world where men can get pregnant.
Writer/Actor Ryan Walker-Edwards opens up about working behind and in front of the camera to bring a rarely seen story of Black queer intimacy to screen.
Hunter Allen explains the key role lighting and suggestive motifs played in bringing together the advertising and naturalistic worlds of his sex toy comedy.
Jaja Meloche explains why she wanted a bold female character to lead the narrative in her powerful coming of age drama exploring the grey area of consent.
Emma Branderhorst tells DN why it was important to take a new tack of addressing those who share intimate images without consent for her KPN campaign film.
Ella Care speaks to DN about depicting the grey area of teen consent in her powerful short about the innocence of a girl's first kiss being dashed by reality.
Nathan Morris reveals the essential role his Disability Coordinator played in ensuring the diversity, inclusion and authenticity of his budding romance short.
Eugene Kolb speaks about striking the right balance between the salacious subject matter and the correlating animations of his doc about self-gratification.
Writer/Director Yasmin Afifi tells DN why magical realism was the perfect genre in which to tell her dark comedic story about finding joy at the end of life.
Edoardo Ulivelli discusses the catharsis of putting his own insecurities into his short film following a young man unable to decipher romantic advances.
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