Sarah has two passions in life, cinema and travel. If she isn’t fantasising of life on a sun-soaked beach far from her home in Brighton she is indulging in films.
Charlotte Hamblin talks about making the move into directing for her semi-autobiographical tragicomedy about a woman concerned that she's a catalyst of death.
Paul Chambers discusses the 16mm camerawork used in his hard hitting experimental drama capturing a young man's spiralling loss of control to addiction.
Anna-Claria Ostasenko Bogdanoff details how she captured sensorial experiences for her documentary unveiling the ancient tea tasting practices of a master.
We speak to Daniel Sinclair about managing the fine line of grounded comedy in his tonal mashup short where a couple reach an unexpected therapy breakthrough.
S. Leo Chiang discusses his aim for achieving a universality of understanding in his Oscar doc examining the complicated relationship between Taiwan & China.
Ben Proudfoot & Kris Bowers reveal how their improvisational backgrounds were a crucial tool in the creation of their inspirational Oscar winning short.
A deeply personal film years in the making, Vincent René-Lortie details the intimate approach needed to bring the true story of his troubled friend to screen.
Victoria Singh-Thompson talks about crafting a fragmented editing style to convey the dissociative turmoil churning in her traumatised protagonist's brain.
Lasse Lyskjær Noer speaks to capturing the cathartic release of comedy even in the depths of despair for his short about two widowers struggling with grief.
Gabriel Caste tells DN about drawing viewers into his psychological thriller probing the dread of existence which can throw us into a depressive cycle.
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