Sam & David Cutler-Kreutz detail how they adapted to the challenge of shooting the pivotal murky underwater sequence for their tense toxic masculinity drama.
Tom Moran reveals how he adapted his mind-boggling metanarrative concept into a self-referential spiral of a film about a woman trapped in an infinite dream.
John Mark Fitzpatrick discusses the key role intimacy coordinators played in the making of his romantic short about the walls we build around ourselves.
Georgios Hartofilakidis walks through the technicalities of shooting 4 separate but thematically connected one-shot rideshare romance stories in a moving car.
Sarah Meital Benjamin shares how she created a fresh look at Israel through non-professional casting and improvisation in her stirring road trip short.
Michael Rees takes DN through his brisk and effective approach to production for his short about a lecturer being challenged about his baffling thesis.
Giorgio Miraflor talks to DN about providing his audience with an absorbing fly's eye view of a transformative conversation in his slice of life drama.
NFTS grad Daniel Quirke joins us to discuss his BAFTA-nominated stop motion short about a young choir boy's crisis of faith and journey to self-acceptance.
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